Counting Beats with Fractions

Friday, February 23, 2007

So far, all the notes we have counted have lasted one or more beats. Often, however, more than one note occupies a beat, and we have to have a way to count this. For instance, in 4/4 time the beats are counted in quarter notes, so the eighth note will only last a half beat. Here is the way that this is usually counted:
One Two and Three Four The pulse of the one-two-three-four remains even, but the “and” introduces another syllable between the main beats. Groups of faster notes are usually joined together with a thicker line known as a beam, which makes them easier to recognize. The number of beams corresponds to the number of flags on individual notes. Eighth notes have a single flag, so they are connected as shown below. Try counting and playing these combinations:

Now here is a song for counting practice. Notice that it does not begin on the first note of a measure, but in fact on an unstressed “pickup” note that is the last beat of an incomplete measure. Count “Three” on this, then “One” as usual on the first beat of the following measure.

When a piece begins with an incomplete measure, the balance of the time is made up in the last measure, which here has only two counts. First and last incomplete measures always add up to one complete one.


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The Eighth Note

Monday, January 15, 2007

Up to now, it has been possible to count the measures by giving each of the notes one or more counts. The same applies to eighth notes when the time signature has an eight as the lower number. For instance, 6/8 measures are counted like this:

The differences to notice here are:
> There are two stresses in 6/8, on the first and fourth beats. The stress on the first beat is
slightly heavier than the stress on the fourth.
> Because the eighth note is the counting unit, the quarter note, which lasts as long as
two eighth notes, now gets two counts.
> The dotted quarter note counts half as much again, i.e., it gets three counts.

When faster notes are grouped together, they are frequently joined together to make them easier to read. For instance, the above would normally be written like this:




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Some Familiar Tunes

Friday, January 12, 2007

Now is the time to try some well-known tunes. See if you can play them in time and recog-nize some of them. Remember to count as well as play.

”Au Clair de la Lune”

Au Clair de la Lune
”Drink to Me Only with Thine Eyes”



Most tunes need faster notes, so now is a good moment to see how these are written and counted.



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